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See art in a fresh way. |
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Mini-Tutorial True Lies: Warp Negative Space |
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"Art is a lie that
makes us realize the truth." Picasso With this tutorial I will show how to shape negative space by warping it, thereby creating a believable 3-D image on a 2-D surface. Painting is made up of positive forms and negative spaces. Think of planets and the empty space between them. In this Rembrandt, one example of negative space is the dark triangular space between the bust, the back edge of the table, and the folds of the man's sleeve. Lost in Space. Many artists spend a great deal of energy on making the forms of the solid objects, such as people and tables. But when it comes to the space between the objects they tend to get lost in the emptiness. Warping the negative space into a shape is the way to go.
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This is a detail of the above
painting's negative space. Rembrandt has warped the negative
space by a subtle tone shift. The triangular dark shape
is more diffused, softer, as it goes back towards the sleeve.
And it gets darker as it comes closer to the edge of the bust.
This change is indicated by the gray and black stripe. |
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Here I isolated the negative space, and stylized it a little bit to show that it is not a flat space. Rather, the negative space curves to come forward, towards the bust, then it goes back towards the sleeve. |
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One of the artists in my mentor program
drew this pastel on location. Very well done and ambitious,
considering she had less than two hours to work. The only problem I saw with this work was the negative space of the sky line. It doesn't curve back, towards the tree tops. |
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This sliver of space is quite tricky,
but it is important because the tree tops are so far away from the
edge of the bridge that is so close to us.
With pastel, the key would have been to change the intensity of the sky's color, brighter towards us and duller going back. |
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| This is my favorite Vermeer painting. The back of her head is turning away from us and the collar of the wrap is coming towards us. |
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| Here is a detail of the negative background space. |
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| Notice how carefully the space changes: the tones get cooler and darker as they rotate back around the hair, and they get warmer and lighter as they rotate forward. |
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| Another favorite work of mine is this Monet. |
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Here is a cast shadow inside the
cavernous entrance to a doorway. It is a little tricky to
discern Monet's shifts of tone due to the ornateness of
the building, and to Monet's style of mark making. But the tones do change and do warp the space. The front edge is flicked with darker tones, shifting the right edge towards us. |
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| Here is a little demo of the idea. |
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| This is a painting by one of my contemporaries, William Wray. |
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| If you think of the rocks as planets and the reflective sand and water as space, you can see how he warped the shape of the water--it comes zooming towards us on a dramatic diagonal. |
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| Vermeer uses infinitesimal changes in tone to carve out space and light. |
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Yet, he manages to warp the negative space
of the back wall with very little changes of tone. She has the slightest halo of light, which comes towards up to the edge of her headdress. The light then dims imperceptively, receding a few feet back towards the map. |
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| Here again I stylize the concept. The tones of the back wall change to bend the space forward. |
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I wanted to use lots of examples for
showing how negative space can be warped. It is really a very
difficult problem. But once you have the idea of it, it makes it
easier to isolate it when you visually study real life. Another Rembrandt. |
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| The sky in the tent opening changes dramatically in tone to shift the shape of the space. |
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| It follows the inner flap of the opening from some distance away and increases in light vibrancy as it wraps around and swings towards the soldier's back. |
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| In closing I would like to share one of my own. |
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| This study of the problem gives a good idea how much I warped the space. |
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I had to shift the space quite some
distance from her arm and the back wall to come against the edge
of the bust. Again many artists would simply think that the back is a flat space somewhere back there. But to be true to 3-dimensionality it is crucial to warp the negative space. |
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I hope you enjoyed
seeing true lies in a fresh
way. Michael Newberry |
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©2008 Newberry, All rights reserved. |