|
See art in a fresh
way. |
|
Mini-Tutorial
The Art of Scumbling |
|
One of the easiest and most exciting
ways for a painter to create light is to use the technique
scumbling.
This technique works great
with both acrylic and oil paint.
|

Newberry, Computer Screen, 2009, acrylic on panel, 9 x 12
inches. |
|
In preparation for scumbling start
with a dark and dry underpainting.
Here I roughly painted the
composition of my computer screen in a black acrylic wash.
|

|
|
Scumbling is a technique using:
1. A dry brush.
2. A lighter color than the dark,
dry surface.
3. Towels to wipe off excess color
from the brush.
4. And the skill to deftly drag the brush
while
applying paint.
You start by taking a dry brush,
using no medium, mix a color which is lighter than your
underpainting. Then wipe off excess color on a paper towel,
leaving a lightly tinted brush.
|

|
|
Then delicately drag the brush over the
area that you want to lighten.
I think this feels more like
drawing. You don't want to swirl gobs of paint around.
It is important to make this a one
shot deal. If you apply too many layers, one immediately following
the other, the paint begins to blend - destroying the airy
gauze-like look.
|
 |
|
I like to slowly work my way from the
dark mid-tones and progress to the brightest lights. |
 |
|
|
 |
|
|

|
|
|
 |
|
Two painters that do an awesome job
with scumbling are Francis Bacon and Diego Velázquez.
|

Francis Bacon,
Self Portrait, 1971 |
|
|

Velazquez,
detail Las Meninas, 1656 |
|
The scumbling technique allows for
endless editing, and it can achieve a high level of realistic
detail.
If you are not happy with your
scumbling results, let the canvas dry, paint back over the area
in a dark wash, toning it down to the desired effect. After the
paint is dry go back and scumble again. And repeat this as often as necessary to get ultimate results.
I hope you enjoyed seeing technique in
a fresh way.
Michael Newberry
Santa Monica, April 2009 |

Newberry, Glass Jar, 2003,
acrylic on panel, 9 x 12 inches. |