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Drawing probably was born eons
ago with dragging a stick in dirt, creating a line. Line
continues to be an essential element in art making, from
cartoons to fine art painting. It is most often used to show the
edge of an image; for example, a line circle for the sun. Fine art tends to distinguish itself from graphic design by
varying the tone of the line, instead of using an unchanging, solid
outline.
One great way to vary the line
tone of your image is to think spatially–think of the
distance of the image's edge between you and the background,
such as a wall.
An awesome benefit to varying
lines through space is that it creates emotion in the viewer
through giving the viewer a sense of moving through space.
Michelangelo said it simply: movement equals emotion.

On white paper, the darker you make your line, the
more it will "pop" forward toward the viewer. Above is an
example of lines toned from light to dark. Notice how the
lighter marks disappear into the distance, and the darker
lines come forward.
Below
is one of my hour and a half drawings done with the focus on
accenting her edges based on "pulling" her forms off from the
wall behind her. You can't see the wall, but it was about three
feet behind her head, and five feet behind her knees.

Olivia, 2009, graphite on paper, 6 x
9 inches
I started with
marking her distant right shoulder just dark enough to gently
pull it off from the wall. Then I drew progressively darker marks
for her hair, nose, left shoulder, and so on. The intensity of
the darks increased based on how close her
forms were to me, and how far they were from the wall behind her.
I hope you enjoyed seeing line in a fresh way.
Michael Newberry
Santa Monica, November 2009 |